SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Spanish production.
Here is how this works in practice. Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control, steady color rendering, and the optical traits that define a project's visual texture and depth.
Here is the short of it. We set up lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and making sure backup options are ready if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual way, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Cinema lens kits assembled through Vantage Spain Hawk anamorphic specialist, Camara Movil Madrid, and Welab Plus Barcelona for the Spaghetti Western Almería heritage and modern prestige work
Here is how this works in practice. Cinema lens kits in Spain route through Vantage Spain across Madrid and Barcelona as the dedicated Hawk anamorphic pro. The house that carries forward the Spaghetti Western vintage lineage running back to Sergio Leone, Tonino Delli Colli. And the Almería Tabernas Desert era when the Dollars trilogy and Once Upon a Time in the West were shot on early Hawk glass. Today Vantage Spain stocks Hawk V-Lite, V-Plus, and Hawk 65 anamorphics for shoots that want that distinctive Spanish-Italian widescreen oval bokeh and traits edge fall-off.
Beyond the Hawks we build full prime sets through Camara Movil Madrid and Welab Plus Barcelona. Atlas Orion anamorphics as the today's budget-conscious 2x squeeze favored on episodic. Cooke S7/i full-frame for skin-tone rendering. ARRI Signature Primes as the Alexa Mini LF and Alexa 35 default for prestige series. Master Anamorphics for top feature work. And Angénieux Optimo zooms for documentary, broadcast, and second-unit. Spherical workhorse coverage has Zeiss Supreme Primes, Zeiss CP.3, Cooke S4/i, and Sigma FF Cine zooms. Vintage character glass — rehoused Cooke Speed Panchros, Lomo Round Front, and Russian Helios sets. Moves through Vantage Spain and Camara Movil for shoots chasing the period look.
Here is the short of it. Lens prep at the starting cage covers projector check, collimation, focus-mark matching across the set, T-stop verification, and rear-element cleaning. Vantage Spain sets up direct cross-rental with Vantage Munich and Vantage Hamburg for any Hawk focal length not held in Iberian stock. With all-night Schengen Area road freight bridging the gap when a production needs a wide 28mm Hawk T2.2 that's already booked. For cross-border supplements we route through ARRI Rental Paris and ARRI Rental Portugal Lisbon on the six-hour drive.
Here is the breakdown. Almería Tabernas Desert summer 40°C-plus heat protocols have shaded lens carts, thermal cases for storage between takes. And humidity control for the Atlantic Galicia and Canary Islands volcanic-terrain unit work where coastal salt-air corrosion is a real risk on uncoated vintage glass. Heritage-zone shoots at the Alhambra, Mezquita Córdoba, and Alcázar de Sevilla need fixed-prime discipline — Patronato permits limit zoom rigging and slider rails. So we pre-bias lens kits toward 25mm, 35mm, 50mm. And 75mm primes for those locations.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets mostly have focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Here is the breakdown. Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage needed for large format sensors.
What anamorphic options are available?
We give anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits many shoots desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are ready in both full-frame and Super 35 coverage for many applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals have protective cases, front and rear caps, and lens data cables where applicable. We can also give follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Spain that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.