
SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Spanish production.
Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Professional cinema lenses offer precise focus control, consistent color rendering, and the optical characteristics that define a project's visual texture and depth.
We coordinate lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and ensuring backup options are available if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Understanding your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual approach, budget, and technical requirements.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Technical support, lens swaps, and additional glass available throughout your shoot.
On Location
Cinema lens kits assembled through Vantage Spain Hawk anamorphic specialist, Camara Movil Madrid, and Welab Plus Barcelona for the Spaghetti Western Almería heritage and modern prestige work
Here is how this works in practice. Cinema lens kits in Spain route through Vantage Spain across Madrid and Barcelona as the dedicated Hawk anamorphic expert. The house that carries forward the Spaghetti Western vintage lineage running back to Sergio Leone, Tonino Delli Colli. And the Almería Tabernas Desert era when the Dollars trilogy and Once Upon a Time in the West were shot on early Hawk glass. Today Vantage Spain stocks Hawk V-Lite, V-Plus, and Hawk 65 anamorphics for productions that want that distinctive Spanish-Italian widescreen oval bokeh and traits edge fall-off.
Beyond the Hawks we build full prime sets through Camara Movil Madrid and Welab Plus Barcelona. Atlas Orion anamorphics as the current budget-conscious 2x squeeze favored on episodic. Cooke S7/i full-frame for skin-tone rendering. ARRI Signature Primes as the Alexa Mini LF and Alexa 35 default for prestige series. Master Anamorphics for top feature work. And Angénieux Optimo zooms for documentary, broadcast, and second-unit. Spherical workhorse coverage includes Zeiss Supreme Primes, Zeiss CP.3, Cooke S4/i, and Sigma FF Cine zooms. Vintage character glass — rehoused Cooke Speed Panchros, Lomo Round Front, and Russian Helios sets. Moves through Vantage Spain and Camara Movil for productions chasing the period look.
Here is the short of it. Lens prep at the starting cage covers projector check, collimation, focus-mark matching across the set, T-stop verification, and rear-element cleaning. Vantage Spain sets up direct cross-rental with Vantage Munich and Vantage Hamburg for any Hawk focal length not held in Iberian stock. With overnight Schengen Area road freight bridging the gap when a production needs a wide 28mm Hawk T2.2 that's already booked. For cross-border supplements we route through ARRI Rental Paris and ARRI Rental Portugal Lisbon on the six-hour drive.
Here is the breakdown. Almería Tabernas Desert summer 40°C-plus heat protocols include shaded lens carts, thermal cases for storage between takes. And humidity control for the Atlantic Galicia and Canary Islands volcanic-terrain unit work where coastal salt-air corrosion is a real risk on uncoated vintage glass. Heritage-zone shoots at the Alhambra, Mezquita Córdoba, and Alcázar de Sevilla need fixed-prime discipline — Patronato permits restrict zoom rigging and slider rails. So we pre-bias lens kits toward 25mm, 35mm, 50mm. And 75mm primes for those locations.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets typically include focal lengths from 18mm to 135mm, with wider and longer options available.
Do you have large format lenses?
Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses provide the coverage needed for large format sensors.
What anamorphic options are available?
We offer anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and various vintage anamorphic options. Anamorphics provide the distinctive widescreen look and flare characteristics many productions desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are available in both full-frame and Super 35 coverage for various applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that provide unique character and softer rendering.
What lens accessories do you include?
Lens rentals include protective cases, front and rear caps, and lens data cables where applicable. We can also provide follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Spain that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.