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Girona Cathedral - filming location in Spain

SCENE 01 / WIRELESS MICROPHONE SYSTEMS

Wireless Microphone Systems

Professional wireless audio for your Spanish production.

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Wireless microphone systems enable untethered audio capture, giving talent freedom of movement while maintaining broadcast-quality sound. Modern digital wireless systems offer reliable transmission, wide frequency range, and encryption to avoid interference in complex RF environments common on busy sets.

We source and coordinate wireless microphone systems with the frequency bands and channel counts your production requires. Our team handles spectrum coordination and ensures backup units are available, so your sound department can operate confidently across multiple shooting locations.

Capabilities

Wireless Audio Equipment

Premium wireless systems from Lectrosonics, Wisycom, and other industry leaders.

Professional Wireless Solutions

Capabilities

200+
Wireless Channels
All
Major Brands
Digital
& Analog
24/7
Tech Support

Our Process

1

Requirements Review

Understanding your channel count, range requirements, and RF environment.

2

System Design

Configuring the right wireless system with proper frequency coordination.

3

Frequency Scan

Scanning your locations and allocating clean frequencies for reliable operation.

4

Production Support

Technical support, backup equipment, and frequency management throughout your shoot.

On Location

Shure Axient Digital, Lectrosonics SMQV, and Wisycom transmitter inventory with DPA 6060/6061 and Sanken COS-11D lavs through Audio Plus Madrid, Sound Spain, and Camara Movil

Here is how this works in practice. Wireless microphone systems in Spain ship through Audio Plus Madrid, Sound Spain, and the Camara Movil Madrid Audio Division as the camera-and-sound paired option. Transmitter inventory leads with Shure Axient Digital ADX1 bodypack and ADX2 handheld with ShowLink remote control as the flagship for prestige feature and large-ensemble episodic. The same Axient Digital chain Money Heist deployed across its multi-character Madrid heist blocks. Lectrosonics SMQV and SMV transmitter sets cover the LA-default workflow when American productions arrive Madrid with their existing transmitter kit.

Here is the short of it. And Lectrosonics DCHR and SSM cover the smaller-format conceal-under-costume role. Wisycom MTP60 and MTP41 transmitters fill the European-default slot with the wider tuning range — key in fragmented Spanish CNMC UHF allocation. Zaxcom ZMT4 and TRX742 cover the recording-transmitter slot for situations where the talent walks out of receiver range and the recorder-on-belt fallback matters — drone-following sequences. Helicopter pickup, or long-take walking blocks.

Here is the breakdown. Lavalier microphone inventory covers DPA 6060 and 6061 subminiature omnidirectional capsules as the current under-costume default. The 3mm capsule disappears under thin fabric and survives heavy sweat through the Almería and Sevilla summer 40°C-plus heat. Sanken COS-11D remains the workhorse for boomable scenarios and where the wider frequency response matters. Plus the DPA 4060 and 4061 fuller-bodied alternatives, Sennheiser MKE 2 Gold. And Countryman B6 for the most extreme conceal scenarios on Spanish period drama with corsetry and tight bodices.

Here is what that looks like on the ground. CNMC range coordination through the mixer's allocation request is non-negotiable for any Spanish production running more than two wireless channels in Madrid, Barcelona, Sevilla, Valencia. Or Bilbao where TDT digital terrestrial broadcast and Guardia Civil emergency services congest the UHF. Cross-border supplements from Portugal ANACOM and France ANFR allocations apply on Galicia and Pirineos border units. Heritage-zone permits at the Alhambra and Alcázar dictate low-power transmitter mode.

FAQ

Frequently Asked Questions

What wireless systems do you recommend?

For professional narrative work, we recommend Lectrosonics Digital or Wisycom for their audio quality, reliability, and spectral efficiency. Zaxcom offers recording-capable transmitters. For budget-conscious productions, Sennheiser EW-D provides excellent value.

How many wireless channels can you provide?

We can provide as many channels as your production requires—from single transmitters to dozens of coordinated channels for large cast productions. Our frequency coordination ensures all channels operate without interference.

What lavalier microphones do you stock?

We carry DPA 4060 and 6060 (subminiature), Sanken COS-11D, Sennheiser MKE series, and Countryman lavalieres. Each has different characteristics suited to various concealment and sound requirements.

How do you handle frequency coordination?

We scan your locations to identify clean frequencies and coordinate all wireless systems to avoid interference. This includes both your wireless mics and any other RF equipment like wireless video or IEMs.

What about range and coverage?

Range depends on the system and environment. We configure antenna distribution and RF cables to ensure reliable coverage for your shooting area. For large locations, we can provide multiple receiver setups.

Do you provide backup equipment?

Yes, we recommend and can provide backup transmitters and receivers for longer shoots. Having backup wireless protects your production against equipment failures.

Productions in Spain that need this often pair it with Wireless Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.

On Set

Need Wireless Audio?

Tell us about your wireless requirements and we'll build the right system.